Hablando de Palestina

Sábado 9 Agosto

Domènec, Firas Shehadeh, Cesar Górriz, Maysun.

Espacio del inmigrante, Barcelona

Motocarro in encuentro de Arquitecturas Colectivas 2014

SNTK BESÒS LAB. La cúpula de Can Peixauet en Santa Coloma de Gramenet (BCN)

crowfunding Monte de Estépar

Ya está activo el crowfunding para cubrir los gastos de la excavación de las fosas comunes del Monte de Estépar, en la que se estima que hay no menos de 400 personas que fueron asesinadas por los franquistas y clandestinamente enterradas.

Las recompensas son reproducibles de las obras que se muestran en la exposición Monte de Estépar y en algún caso la obra original. Animaroooos!!!! Se agradece difusión!

Aquí la lista de artistas participantes: aaag, Acacio Puig, Alán Carrasco, Ana Condado, Bear Bonny, Belín Castro, Cuco Suarez, Daniela Ortiz & Xose Quiroga , Democracia, Domènec, Enrique del Rivero, Fernando Baena, Firas Shehadeh, Francesc Torres, Gregorio Méndez, Ignacio Curiel, Javier Álvarez Cobb, Jorge Barbi, José Luis Pinto, Juan Vallejo, La Ruda, Levi Orta, Marcelo Exposito, Mario Santamaría, Marta de Gonzalo y Publio Pérez Prieto, Miguel Sánchez, Mórbido Jueves, Noaz , Nografía, Nuria Güell, Pedro Ortuño, Ruben Santiago, Santiago Sierra, Sergio Corral, Susana Rioseras, Tania Bruguera, Virginia Villaplana y Zaba.
http://goteo.org/project/monte-de-estepar

Protocolo Abierto

Alberto Peral, Domènec, Erick Beltrán, Javier Peñafiel, Louise Sudell, Lluís Hortalà.

05 / July / 2014 > 30 / August / 2014
La Scala Showroom
c. El Puig 4, Sant Martí Vell, Girona.

Monte de Estépar

“Monte de Estépar”
Exposición en apoyo de la exhumación de las víctimas del franquismo, 40 artistas colaborando para la exhumación de las fosas del monte de Estépar (Burgos).

 

del 13/06 al 31/07 de 2014
Espacio Tangente
Calle Valentín Jalón, 10 bajo
09005 BURGOS

 

 

“Menos es más. Mercat dels Encants. Metodologías y estrategias de intervención en el espacio público desde las prácticas artísticas contemporáneas”

Ya está abierto el plazo de inscripción para participar en el workshop “Menos es más. Mercat dels Encants. Metodologías y estrategias de intervención en el espacio público desde las prácticas artísticas contemporáneas” que dirigirá Domènec en el Cercle Artístic Sant Lluc del 12 al 16 de mayo.

Este workshop forma parte del proyecto sobre el Mercat dels Encants “Menos es Mas”, desarrollado por el grupo de trabajo en contextos sociales específicos del seminario “On Mediation. Teoría y prácticas curatoriales en el arte global”, que podrá visitarse en el Cercle Artistc Sant Lluc del 12 al 17 de mayo.

PARA INSCRIPCIONES (PLAZAS LIMITADAS):
http://www.santlluc.cat/index.php?lang=cat&sec=tallers&men=intenssius

Organiza: On Mediation Art Globalization InterculturalityCercle Artistic Sant Lluc
Colabora: Idensitat

Jerusalem ID: semàfor racista

El curtmetratge Jerusalem “ID: semàfor racista” realitzat per Mapasonor i per en Domènec ha estat seleccionat al XII Festival de Cine y Derechos Humanos de Donostia. Es projectarà el dijous 10 d’Abril a les 19:00 al Teatro Victoria Eugenia.

Collateral Effects – Beyond Radical Milan

20.03.14 – 16.04.14

Sala d’Art Jove and Homesession collaboration.

OPENING
20.03 19.00h
Sala d’Art Jove. Calàbria 147. BCN

Debate assembly: Art and social movements: the voice of the curator
Miguel Amado, Alba Benavent, Lucía Piedra G, Aria Spinelli
20.03 17.00h

……………………………………………………………………………………………………………………….

Exhibition curated by Aria Spinelli.

Francesc Abad, Rolando d’Alessandro, Studio Azzurro, Angelo Castucci, Domènec, Fernando De Filippi, Nuria Güell, Ugo La Pietra, Laboratorio di Comunicazione Militante, Leland Palmer, Daniela Ortiz & Xose Quiroga, Rhaze, Giovanni Rubino, Roberto Taroni, Claudia Ventola.

The exhibition is the last appointment for the curatorial residency independent curator Aria Spinelliconducted at Homesession in Barcelona. As curator in residence and member of Radical Intention, Aria Spinelli proposed a culturally specific and local investigation in the region of Barcelona. Collateral Effects – Beyond Radical Milan initiates a discussion concerning the relationship between art and politics within a european and local framework. As a tangent project to Radical Intention’s ongoing research, Collateral Effects – Beyond Radical Milan looks at issues that were raised throughout Radical intention’s year-long project Milano Radicale (2011-2012). These issues regard in particular art’s engagement with social movements, the social impact of movements on artistic profession, forms of alternative knowledge and the impact of technology, the notion of the political and its relation to practice.

The show Aria Spinelli has curated for the Sala d’Art Jove consists of a series of artworks, which were produced and presented in Milan for Milano Radicale, as well as audiovisual documentation of 2014 and 2011 public programs, which took place respectively at Homesession in Barcelona, and Medionauta in Milan. By hypothesizing possible common historical and cultural continuities between practices from different socio-historical backgrounds, the exhibition creates a collective conceptual framework, within which relations between artworks and documental material unfold common groundings. The show takes on the form of the “assembly”, referring specifically to an intergenerational dialogue: opposing ideas, conceptual barriers, ‘agonism’ and ‘conflict’ are in fact the guidelines to understanding these artistic practices, whether under the form of artworks or documentation.

Collateral Effects – Beyond Radical Milan is funded by Loughborough University as part of the practice-based PhD program.

Aria Spinelli is an independent curator and researcher. She holds a BA in Contemporary Art History from the La Sapienza University of Rome and an MA in Visual Arts and Curatorial Studies from the New Academy of Art in Milan (NABA). She is a practiced-based PhD candidate in the School of Arts at Loughborough University (UK). Aria Spinelli’s primary area of research is the relationship between art and activism, focalizing on the impact of the social imaginary on contemporary artistic and curatorial practices. Aria collaborated with institutions and galleries such as the Museum of Contemporary Art Castello di Rivoli in Turin (2005-2006) and Christian Stein Gallery in Milan (2008-2009). In 2009 She also founded art and curatorial collective Radical Intention, with whom the past four years she has been creating long-term research projects on socio-political issues related to art and its practices. Aria has also been invited to curate and collaborate on community art and socially engaged projects and shows, such as Taking Positions – Identity Questioning (Fare arte, Milan, Italy w/ACSL – Art and Cultural Studies Laboratory, Yerevan, Armenia); Horror Vacui – Occupying the present, (Isola Art Center, Milan, April – June 2010) G for Gentrification, (Isola Art Center, Milan, May – July 2011); Being Visible – Contemporary ways of signification (CHAN arte, Genoa, Italy).

Roulotte:01 + Roulotte:02 + Roulotte:03 + Roulotte:04 + Roulotte:05 + Roulotte:06 + Roulotte:07 + Roulotte:08 + Roulotte:09 + Roulotte:10…

THANKS!!

Dennis Adams, Ariella Azoulay, Ellelab, David Elliott, Alberto Fregenal, Michal Heiman, Jens Haaning, Peter Lang,Laurent Malone, Josep-Maria Martín, Boris Mitic, Stalker-Osservatorio Nomade, Erick Beltrán, Sabine Bitter, Raimond Chaves, Pep Dardanya, René Francisco, Wendy Guerra, Tadashi Kawamata, Andreja Kuluncic, Gilda Mantilla, Helmut Weber, Francesc Abad, CLUI, Ivan Bercedo Sales, José Miguel de Prada Poole, Terence Gower, Jorge Mestre de Bordons, Mônica Nador, Tiago Lopes, Mauro Pinto de Castro, Pia Rönicke, Xavier Arenós, Delícia Burset, Wellinton Cançado, Simone Cortezão, Tedy Cruz, Domènec, Mané Espinosa, Pau Faus, Sylvan Felizat,Toni Giró, Núria Güell,Jordi Mitjà, Martí Peran, Ita Puig, Quim Puig, Glòria Safont-Tria, Lisbeth Salas, Laia La Laia Sole Coromina, Cristiano Sérgio, Mar Sorribas, Marko Stamenkovic, Katherina Tielsch, Rirkrit Tiravanija, Desirée Vidal, Debora Zanette,Activestills, Shuruq Harb, Sandi Hilal, Nathalie Kertesz,Sagar Malé, Ze’ev maor, Mapasonor, Adi Ophir, Alessandro Petti, Jan Tichy, Eyal Weizman, Alexander Apóstol, Luz María Bedoya, Walmor Corrêa, Abraham Cruzvillegas, Nelson Garrido, Magdalena Magda Jitrik, María Lovino, José Pulido, Luis Romero, Maruch Sántiz Gómez, Jorge Satorre, Taller Popular de Serigrafía, Pablo Brugnoli, Kathryn Gillmore, a77 ( Gustavo Dieguez / Lucas Gilardi), Heidrun Holzfeind, Ximena Labra, Rogelio López Cuenca, Cuauhtémoc Medina, Ana Teresa Ortega, Erkan Özgen,Javier Peñafiel, Jürgen Bock, Fernando Bryce, Jeff Derksen, Ângela Ferreira, Andrea Geyer, Marion von Osten, Joaquín Barriendos, Edgar Endress, Ramon Parramon, Tomás Ruiz-Rivas, Adriana García Galán, Amor Muñoz, Ana Dumas,Anna Recasens, Antimuseo, Cinéma Numérique Ambulant (CNA), CLUI, Colectivo Cambalache, Colectivo Descarrilados, Colectivo Kabaret Machine, Cristian Añó y David Armengol, Diego Pérez, Fabiana de Barros, Fanzinoteca Ambulant, Felix Mathias Ott, Floating Lab Collective, Iñaqui Larrimbe, Iván Puig y Andrés Padilla, LaFundició, Fanzionteca Ambulant, Makea, Marksearch, Miquel Ollé y Sofía Mataix, Nuria Montiel, Pablo Helguera, Pablo Rojas Schwartz, Platoniq, Public Works, Rallyconurbano, Raumlabor, Sabrina Artel, Soundlab, Straddle3 y Todo por la praxis, Theo Craveiro, Toni Tomàs y Carles Porta, Virginia de Medeiros, Vitor Cesar, Anna Artaker, Jean-Baptiste Decavèle, Yona Friedman, Dani Montlleó, Daniela Ortiz, Juan Paris, Pedro G. Romero, Benjamin Tiven, Banu Cennetoglu, Ursula Schulz-Dornburg, Los carpinteros, Maria Papadimitriou, Miki Kratsman, Gregorio Brugnoli, ACM Associació per a la Cultura i l’Art Contemporani, SPAM_arq, Can Xalant, CCCB, ACVic, Ajuntament de Mataró, Múltiplos, AC/E, CoNCA, etc…

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